- I was thinking about what happened and how:
- 1. the incident was significantly palpable and audible
- 2. the onomatopoeia of the instant marked a change in me.
- Which words will you be buried with? Why?
I’m sitting at Subway in the spotlight of vendors of a variety of things. Necklaces, spoons, bookmarks, a toy with chickens pecking at seeds, bubbles, books, music, candies, chargers, chess sets, birdcages, paintings, bracelets, floral crowns, blouses, purses, balloons, rugs, jewelry boxes, tablecloths, scarves, blouses, skirts, masks, flowers, and a range of services: caricatures, portraits, hair braiding, tattooing, song, and whatever it is that clowns do.
1 People think, at the theatre, an audience is tricked into believing it’s looking at life. The film image is so large, it goes straight into your head. There’s no room to be aware of or interested in people around you.
My story is about the human race in conflict with itself and nature.
- What is it that you want your audience to understand about your story?
Reluctantly starring in town gossip, in a town where I’m a tourist, is somewhat exciting and makes me feel a bit torn as Johnny Cash in the following excerpt of his poem “Don’t Make a Movie About Me:”
- What is the gossip? How does it energize the plot in a positive way?
- Get your speaker this lost; take her off course; plunge her into the middle of the motion somewhere she’s never been before.
- Ekphrastic means writing about art. Including, I wonder, the art of creating art? Kay Ryan, former US Poet Laureate, reflects on Ekphrasis here: https://www.poetryfoundation.org/harriet/2006/12/journal-day-two-56d34c8126d79. Ryan writes about the challenges of chasing after reality with a butterfly net: “I have always been uncomfortable describing what already exists. Existing things are just too hot, too self-radiant. My words get soft and gluey if I try to mold them into a facsimile of something. If I were a sculptor, it would be as if I were forced to work with clay that clung to my fingers instead sticking to my projected dog sculpture.” Be a lepidopterist.
- Speaking of five new pieces, here are five short stories by Carol Shields to read with brief descriptions of why you should know her work: https://theculturetrip.com/north-america/canada/articles/5-short-stories-by-carol-shields-you-should-read/ I think of the artist embroidering the plaza outside the cathedral on the square in Oaxaca as the blogger describes Shields’s work: “focusing on the everyday interactions and moments of ordinary lives.”